Pentel white out pen windows#

You can see in the earlier sketch the trees and bushes drawn with the brush pen. The brush pen is fantastic for giving trees and foliage a textural, broken effect. The two plant pots were drawn using a Pentel Brush pen. Because the 0.2 is so thin you’ll see some of the lines are broken and whispy. I’m enjoying the precision with which you can tweak the line depth. I’ve only come across these pens recently when doing some architectural sketches for the next stage of the studio build. The initial sketch used a 0.2 Pentel Pointliner. Stages of the Drawing – Thin Line Sketching

So an interesting tonal pattern already exists within the image. So if you look at the whole image to be split tonally, you’ve got the grey of the road, then a white band, a grey band, and a white band there was this nice balance between lovely dark pots on either side of the door and white boxes sitting on another grey tone. I really liked the step element of this house, and I think it’s quite interesting to be aware of if you’re ever drawing the focus is the door, but the steps give grandness to the space and help frame everything.

I thought it was really lovely.įabulous textures and patterns within the stone walls This was such a pretty white house with a white picket fence and then roses all around the door it reminded me of a Singer Sargent painting. The house felt like it drew you into it the dark area with the background of the trees behind, so you can’t quite see inside, adds a bit of intrigue.įrom the top: 0.2 Pentel Pointliner, 3.0 Pentel Pointliner, Pentel Brush Pen, Lamy Safari fountain Pen, Pentel Aquash water brush. I love the shape of the chimneys and how they have the curve on the angle. Then you’ve also got differences in tone, and rough next to smooth. You’ve got lots of angles coming in together, which helped give a point of focus, so it feels like it’s got real depth to it, making a nice composition. I went back to sketch this house because I really liked the textural elements I saw in the initial detail of the sash window. I love the colours on this cottage, the pops of bright pink next to powder blue it just looks so pretty. Where the sky meets the sea, the enchanting harbour is scattered with colourful fishing boats and sparkling light. The palette is crisp white and vibrant azure, dotted with pops of pinks and reds of sunny pots on doorsteps. Then you’ve got all the lovely different textural elements within the slate and stone.

Pentel white out pen windows#

Dark inside the windows against the elegant white window frames.ĭiagonal textual elements from the bushes on the left, and almost a diagonal line that goes through the side climbing foliage, lead your eye to this dark area on the bottom right which helps to ground it all. What initially grabbed my eye was the contrast. Natural stone, slate, and white lime-washed simplicity, so with pen in hand, I set about capturing some of St. This small historic fishing village is nestled at the end of the Roseland peninsula on the south coast of Cornwall and is magical. They also tend to dry up faster and may not work well after a period of no use.Exploring the narrow cobbled streets of St Mawes, e very turn uncovers a charming cottage or an absolutely stunning view.

*Alcohol and oil-based pens (Sharpie Oil-Based Paint Markers) perform poorly on porous paper but very well on nonporous surfaces, such as plastic or glossy photo paper. Teranishi Magic Glow Slim Black Note Marker

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